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" Flowers worthy of Paradise, which not nice Art In beds and curious knots, but Nature boon Pour'd forth profuse on hill, and dale, and plain... "
Gardeners' Chronicle - Page 167
1906
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Elements of Criticism, Volume 2

Lord Henry Home Kames - Criticism - 1816 - 452 pages
...strictly regular. Milton, describing the garden of Eden, prefers justly grandeur before regularity : Flowers worthy of paradise, which not nice art In beds and curious knots, but Nature boon Pour'd forth profuse on hill, and dale, and plain ; Both where the morning-sun first warmly smote The open...
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Elements of criticism [by H. Home].

Henry Home (lord Kames.), Lord Henry Home Kames - Criticism - 1817 - 532 pages
...bounds. Milton, describing the garden of Eden, prefers justly grandeur before regularity: • . • ** ' Flowers worthy of paradise, which not nice art In beds and curious knots, but Nature boon Pour'd forth profuse on hill, and dale, and plain; Both where the morning-sun first warmly smote The open...
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Le Prose E Poesie Campestri D'Ippolito Pindemonte Con L'Aggiunta D'Una ...

Ippolito Pindemonte - 1817 - 294 pages
...gold, With mazy error under pendent shades Ran nectar, visiting each plant, and fed Flow'rs, whorthy of Paradise, which not nice art In beds and curious knots, but nature boon Pour'd forth profuse on hill, and dale, and plain, Both where the morning-sun first warmly smote The open...
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Le prose e poesie campestri

Ippolito Pindemonte - 1817 - 300 pages
...gold, With mazy error under pendent shades Ran nectar, visiting each plant, and fed Flow'rs, whortliy of Paradise, which not nice art In beds and curious knots , but nature boon Pour' d forlh profuse on hill, and dale, and plain , Both where the morning-sun first warmly smote...
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Blackwood's Magazine, Volume 33

England - 1833 - 1006 pages
...blossoms and flowers ; and in no situation can these be seen in such profusion as in our glens. — " which not nice art In beds and curious knots ; but nature boon, Pours forth profuse Both where the morning sun first warmly smites Thr open field, and where the unpierced...
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Select Works of the British Poets: With Biographical and Critical ..., Volume 1

John Aikin - English poetry - 1820 - 832 pages
...orient pearl and sands of gold, With mazy errour under pendent shades Ran nectar, visiting each plant, s wondrous works, and learn His seasons, hours, or...days, or months, or years : This to attain, whether H forth profuse on hill, and dale, and plain, Both where the morning Sun first warmly smote The open...
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Paradise Lost: A Poem, in Twelve Books

John Milton - Fall of man - 1820 - 342 pages
...of gold, With mazy error under pendant shades Ran nectar, visiting each plant, and fed 240 Flow'rs, worthy' of Paradise, which not nice Art, In beds and curious knots, but Nature boon Pour'd forth profuse on hill and dide and plain, Both where the morning sun first warmly smote The open field,...
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Select Plays of William Shakespeare: In Six Volumes. With the ..., Volume 3

William Shakespeare, Samuel Johnson, George Steevens - 1820 - 348 pages
...figures planted in box, the lines of which frequently intersect each other. So, Milton: " Flowers, worthy Paradise, which not nice art " In beds and curious knots, but nature boon " Pour'd forth." Steevens. 7 — We at time of year — ] The word We is not in the old copies. The context...
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Paradise Lost: A Poem, Volume 1

John Milton - Bible - 1821 - 226 pages
...orient pearl and sands of gold, With mazy error under pendant shades Ran nectar, visiting each plant, and fed Flowers worthy of Paradise, which not nice...In beds and curious knots, but Nature boon Pour'd forth profuse on hill, and dale, and plain, Both where the morning sun first warmly smote F2 The open...
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The New Monthly Magazine and Literary Journal, Volume 1

1821 - 772 pages
...sands of gold, With mazy error under pendant shades Ran nectar, visiting each plant, and fed Flow'rs worthy of Paradise, which not nice art In beds and curious knots, but nature boon, Pour'd forth profuse on hill, and dale, and plain, Both where the morning sun first warmly smote The open...
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