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" We, Hermia, like two artificial gods, Have with our needles created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key ; As if our hands, our sides, voices, and minds, Had been incorporate. So we grew... "
Caliban: the Missing Link - Page 252
by Sir Daniel Wilson - 1873 - 274 pages
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The Dramatic Works of William Shakespeare: Accurately Printed from ..., Volume 1

William Shakespeare, George Steevens - 1829 - 506 pages
...or one song, both in one key ; \s if our hands, our sides, voices, and minds, ilad been incorporate. So we grew together, Like to a double cherry, seeming...partition. Two lovely berries moulded on one stem : So, \vilh two ¡*cerniiiii bodies, but one heart ; Two of the first, like coats in heraldry, Due but to...
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The Poetical Album: And Register of Modern Fugitive Poetry, Volume 2

Alaric Alexander Watts - English poetry - 1829 - 476 pages
...SISTERS. BY ALARIC A. WATTS. They grew together Like to a double cherry, seeming parted, But yet an union in partition ; Two lovely berries moulded on...stem : So with two seeming bodies, but one heart. ShaJupeare. I SAW them when their bud of life Was slowly opening into flower, Before a^loud of care...
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The Poetical Album: And Register of Modern Fugitive Poetry, Volume 2

Alaric Alexander Watts - English poetry - 1829 - 424 pages
...away. D 2 BY ALARIC A. WATTS. They grew together Like to a double cherry, teeming parted, But yet an union in partition ; Two lovely berries moulded on...stem : So with two seeming bodies, but one heart. Shaktpearc. I SAW them when their bud of life Was slowly opening into flower, Before a cloud of care...
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Shakespeare from the Margins: Language, Culture, Context

Patricia A. Parker - Drama - 1996 - 408 pages
...of one song, both in one key. As if our hands, our sides, voices, and minds, Had been incorporate. So we grew together. Like to a double cherry, seeming parted. But yet an union in partition, Two lovely berries moulded on one stem; So with two seeming bodies, but one...
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The Complete Works of William Shakespeare

William Shakespeare - Drama - 1996 - 1290 pages
...of one song, both in one key; As if our hands, our sides, voices, and minds, Had been incorporate. ALSTAFF. As I am a gentleman: — come, no more words of it. HOSTESS. an union in partition; Two lovely berries moulded on one stem; So, with two seeming bodies, but one...
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Subject and Object in Renaissance Culture

Margreta de Grazia, Maureen Quilligan, Peter Stallybrass - History - 1996 - 422 pages
...warbling of one song, both in one key, As if our hands, our sides, voices and minds, Had been incorporate. So we grew together, Like to a double cherry, seeming parted, But yet an union in partition, Two lovely berries moulded on one stem; So, with two seeming bodies, but one...
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Coming of Age in Shakespeare

Marjorie B. Garber - Drama - 1997 - 260 pages
...warbling of one song, both in one key; As if our hands, our sides, voices and minds, Had been incorporate. So we grew together, Like to a double cherry, seeming parted, But yet an union in partition; Two lovely berries molded on one stem; So, with two seeming bodies, but one...
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A Midsummer Night's Dream: Critical Essays

Dorothea Kehler - Comedy - 1998 - 520 pages
...warbling of one song, both in one key. As if our hands, our sides, voices, and minds Had been incorporate. So we grew together. Like to a double cherry, seeming parted. But yet an union in partition. Two lovely berries moulded on one stem; So with two seeming bodies, but one...
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Great Scenes and Monologues for Actors

Michael Schulman, Eva Mekler - Drama - 1998 - 370 pages
...of one song, both in one key; As if our hands, our sides, voices, and minds, Had been incorporate. So we grew together, Like to a double cherry, seeming parted, But yet an union in partition; Two lovely berries moulded on one stem; So, with two seeming bodies, but one...
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Maids and Mistresses, Cousins and Queens: Women's Alliances in Early Modern ...

Susan Frye, Karen Robertson - Literary Criticism - 1999 - 369 pages
...that is emotionally and erotically charged. Helena, for example, describes herself and Hermia as being "Like to a double cherry, seeming parted, / But yet...partition, / Two lovely berries moulded on one stem" (III.ii.209-11). Emilia's description of her alliance with Flavina provides an equally erotic rendering...
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