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" Camden, most reverend head, to whom I owe All that I am in arts, all that I know, (How nothing's that?) to whom my country owes The great renown, and name wherewith she goes. "
Handbook for Travellers in Kent ... - Page 218
by John Murray (Firm) - 1877 - 276 pages
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The Columbia History of British Poetry

Carl R. Woodring, James Shapiro - Literary Criticism - 2007 - 764 pages
...(epigram 128) and his tribute to William Camden, the great scholar and Jonson's old teacher, as the one "to whom I owe / All that I am in arts, all that I know" (epigram 14). The Epigrams are thus not only a collection of satirical portraits (eg, "On Court- Worm,"...
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Alchemist and Other Plays

Ben Jonson - British drama - 1998 - 566 pages
...studied under the tutelage of William Camden, 'to whom', as Jonson was later to say in an epigram, 'I owe | All, that I am in arts, all that I know'. In Jonson's case, 'all that I know' consisted of learning so prodigious that in English letters it...
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The Cambridge Companion to Ben Jonson

Richard Harp, Stanley Stewart - Drama - 2000 - 238 pages
...never forgot what he owed his scholarly mentor and remembered him gratefully in his poetry as "Camden, most reverend head, to whom I owe / All that I am in arts, all that I know" (Epig. 14.1-2). To be sure, the education that the poet received at Westminster, though very solid,...
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Epigrams and the Forest

Ben Jonson - Literary Collections - 2003 - 130 pages
...two: that doubly am got free, From my disease's danger, and from thee. XIV To William Camden Camden, most reverend head, to whom I owe All that I am in...owes The great renown, and name wherewith she goes. Than thee the age sees not that thing more grave, More high, more holy, that she more would crave....
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Shakespeare's Dramatic Heritage: Collected Studies in Medieval, Tudor and ...

Glynne Wickham - Art - 2005 - 328 pages
...his like. What hope then had Ben, educated at Westminster under the tutelage of William Camden, . . . most reverend head, to whom I owe All that I am in arts, all that I know, (viii, 31) determined to model his plays on classical precept, The lawes of time, place, persons, he...
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