The Poetical Works of James Russell Lowell: With IllustrationsBertram Grosvenor Goodhue (1869 - 1924) trained as an architect with Renwick, Aspinwall and Russell in New York, and moved to Boston to join the architectural firm of Cram and Wentworth as an equal partner. Goodhue's primary influences were the late medieval period and the work of William Morris. Goodhue's first book design work was for Copeland and Day, and later designed covers for the Merrymount Press, Small Maynard, Houghton Mifflin, Longmans and John Lane. He also designed the typefaces "Merrymount" and "Cheltenham". As his commissions in his architectural firm took a larger portion of his time, Goodhue's work in book design work became increasingly restricted until 1903, when it stopped altogether after he successfully pursued his architectural career full time in New York. Finlay pp. 89 - 90. -- Austin Abbey Rare Books. |
Contents
EARLIER POEMS | 1 |
SONNETS | 19 |
O | 22 |
Studies for two Heads | 86 |
Longing | 92 |
Freedom | 98 |
THE VISION OF SIR LAUNFAL | 107 |
LETTER FROM BOSTON | 151 |
Pictures from Appledore | 361 |
The WindHarp | 365 |
Mahmood the ImageBreaker | 372 |
Fancys Casuistry | 379 |
The Nightingale in the Study | 389 |
MemoriƦ positum | 395 |
To the Muse | 404 |
Ode on the Hundredth Anniversary of the Fight at Concord Bridge | 430 |
THE BIGLOW PAPERS FIRST SERIES | 157 |
Introduction | 166 |
9 | 202 |
1 | 205 |
11 | 295 |
NOTES | 299 |
14 | 301 |
GLOSSARY | 307 |
AN ORIENTAL APOLOGUE | 332 |
To Charles Eliot Norton | 343 |
Dara | 349 |
Without and within | 355 |
FRIENDSHIP | 437 |
To Holmes on his SeventyFifth Birthday | 445 |
SENTIMENT | 456 |
The Nest | 462 |
Monna Lisa | 465 |
The Brakes | 471 |
HUMOR AND SATIRE | 477 |
The Origin of Didactic Poetry | 487 |
At the Burns Centennial | 493 |
A Misconception | 498 |
Copyright | |