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acted admiration appear beauty become better bound called character clear cloth complete contains criticism display doubt Drama Edition effect elements emotions equally Essay excellent existence experience expression eyes feeling fine genius give hand head heart human illustration imagination individual influence interest kind knowledge known Lady less light lines literature living look Lord manager manner matter means mind moral nature never object original passion perhaps period Philip van Artevelde philosophical play poem poet poetical poetry popular possess practical present Price principle productions published readers reason regard remarks respect REVIEW scenes sense soul spirit stage stands story style success taste things thought tion true truth volume whole write written
Page 3 - Their Superiority in the ART of LANDSCAPE PAINTING to all the Ancient Masters, proved by examples of the True, the Beautiful, and the Intellectual, from the Works of Modern Artists, especially from those of JM Turner, Esq., RA By a GRADUATE of OXFORD.
Page 25 - Comfort ? comfort scorn'd of devils ! this is truth the poet sings, That a sorrow's crown of sorrow is remembering happier things. Drug thy memories, lest thou learn it, lest thy heart be put to proof, In the dead unhappy night, and when the rain is on the roof.
Page 20 - THERE lies a vale in Ida, lovelier Than all the valleys of Ionian hills. The swimming vapour slopes athwart the glen, Puts forth an arm, and creeps from pine to pine, And loiters, slowly drawn. On either hand The lawns and meadow-ledges midway down Hang rich in flowers, and far below them roars The long brook falling thro...
Page 293 - We live in deeds, not years; in thoughts, not breaths; In feelings, not in figures on a dial. We should count time by heart-throbs. He most lives Who thinks most — feels the noblest — acts the best.
Page 2 - On a poet's lips I slept, Dreaming like a love-adept In the sound his breathing kept. Nor seeks nor finds he mortal blisses, But feeds on the aerial kisses Of shapes that haunt thought's wildernesses. He will watch from dawn to gloom The lake-reflected sun illume The yellow bees in the ivy-bloom, Nor heed nor see what things they be : But from these create he can Forms more real than living man, Nurslings of immortality.
Page 226 - His limbs were in proportion, and I had selected his features as beautiful. Beautiful! — Great God! His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of a pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun white sockets in which they were set — his shrivelled complexion, and straight black lips.
Page 6 - THE NATURE AND PROPERTIES OF THE SUGAR CANE; With Practical Directions for the Improvement of its Culture, and the Manufacture of its Products. To which is added an additional Chapter on the Manufacture of Sugar from Beet-root.
Page 52 - Ah Ben! Say how or when Shall we, thy guests, Meet at those lyric feasts, Made at the Sun, The Dog, the Triple Tun ; Where we such clusters had, As made us nobly wild, not mad ? And yet each verse of thine Out-did the meat, out-did the frolic wine. My Ben ! Or come again, Or send to us Thy wit's great overplus; But teach us yet Wisely to husband it, Lest we that talent spend ; And having once brought to an end That precious stock, — the store Of such a wit the world should have no more.
Page 203 - You must begone," said Death, "these walks are mine." Love wept and spread his sheeny vans for flight ; Yet ere he parted said, " This hour is thine : Thou art the shadow of life, and as the tree Stands in the sun and shadows all beneath, So in the light of great eternity Life eminent creates the shade of death ; The shadow passeth when the tree shall fall, But I shall reign for ever over alL