A salient example from the history of painting is the manifestly metonymical orientation of cubism, where the object is transformed into a set of synecdoches; the surrealist painters responded with a patently metaphorical attitude. Ever since the productions... Romantic Postmodernism in American Fiction - Page 1by Eberhard Alsen - 1996 - 298 pagesLimited preview - About this book
| Roman Jakobson - Language Arts & Disciplines - 1971 - 772 pages
...no means confined to verbal art. The same oscillation occurs in sign systems other than language.25 A salient example from the history of painting is...painters responded with a patently metaphorical attitude. Ever since the productions of DW Griffith, the art of the cinema, with its highly developed capacity... | |
| Roman Jakobson - Language Arts & Disciplines - 1971 - 772 pages
...shoulders" are used by the same writer to stand for the female characters to whom these features belong. The alternative predominance of one or the other of...same oscillation occurs in sign systems other than language.25 A salient example from the history of painting is the manifestly metonymical orientation... | |
| Roman Jakobson - Language Arts & Disciplines - 1971 - 138 pages
...no means confined to verbal art. The same oscillation occurs in sign systems other than language.25 A salient example from the history of painting is...painters responded with a patently metaphorical attitude. Ever since the productions of DW Griffith, the art of the cinema, with its highly developed capacity... | |
| Jane Hedley - Literary Criticism - 1988 - 222 pages
...intermediary stage between the decline of romanticism and the rise of symbolism and is opposed to both. . . . The same oscillation occurs in sign systems other...painters responded with a patently metaphorical attitude. ("Two Aspects of Language," pp. 255-56) What we seem to have here is an autonomous rhythm of oscillation... | |
| Charles Harrison, Francis Frascina, Professor Francis Frascina, Gillian Perry - Art - 1993 - 280 pages
...so-called "realistic" trend ... A salient example from the history of painting is the manifestly metonymic orientation of cubism, where the object is transformed into a set of synechdoches' (The metaphoric and metonymic poles', pp. 69-70). Thus, according to Jakobson, Cubism... | |
| Joachim Gessinger - Language Arts & Disciplines - 1994 - 824 pages
...herausgelesen werden. Das in 'Ad Herennium' verwendete Bild läßt freilich auch noch an anderes denken: "A salient example from the history of painting is...cubism, where the object is transformed into a set of synecdtx'hes; the surrealist painters responded with a patently metaphorical attitude. [Magritte scheint... | |
| Cinematheque Ontario - Performing Arts - 1998 - 628 pages
...atmosphere and from the characters to the setting in space and time. He is fond of syneedochic details. The alternative predominance of one or the other of...example from the history of painting is the manifestly metonymieal orientation of cubism, where the object is transformed into a set of syneedoches; the surrealist... | |
| Eberhard Alsen - American fiction - 2000 - 354 pages
...alterations—from the oscillation theories of the linguist Roman Jakobson and the historian Hayden White. 1n the 1956 study. Fundamentals of Language. Roman Jakobson...painters responded with a patently metaphorical attitude. t91,92) Although Jakobson was more concerned with sign systems than with literary history. he made... | |
| Eberhard Alsen - Literary Criticism - 2000 - 354 pages
...study, Fundamentals of Language, Roman Jakobson makes this observation: The primacy of the melaphoric process in the literary schools of romanticism and...surrealist painters responded with a patently metaphorical attttude, t91-921 Although Jakobson was more concerned with sign systems than with literary history,... | |
| Marina Scordilis Brownlee - Literary Criticism - 2000 - 238 pages
...postmodern culture privilege metonymy—specifically, example. Roman Jakobson has argued persuasively for the "alternative predominance of one or the other of these two processes." 6 In the case of Baroque Spain, however, his distinction must be qualified, for a simultaneity is operative... | |
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