 | Francis Blackburne - 1780 - 444 pages
...futtle and fine, but more fimple, fenfuous, and paffionate. I me art not here the profody of a verfe, which they could not but have hit on before among the rudiments of grammar; but that fublime art which \iaAriJlotlcs poetics, in Horace, and the Italian commentaries of Cajtelvetro, Tajo,.... | |
 | Francis Blackburne - Education - 1780 - 408 pages
...futtle and fine, but more fimple, fenfuous, and paffionate. I mean not here the profody of a verfe, which they could not but have hit on before among the rudiments of grammar; bur that fublime art which in Arijlotles poetics, in Horace, and the Italian commentaries of Caftefaetro,... | |
 | Peter Williams - 1785 - 374 pages
...(if again. I may ufe the nerypus expreffion of the fame Great Man*) the profpdy of a verfe, which one could not but have hit on before among the rudiments of Grammar; but that Sublime^ Art which, in Arijlotles POETICS, teaches what the Laws are of a • true Epic foem, ..what of a Dramatic, what of... | |
 | English poets - 1790 - 342 pages
...fubtile and fine, but more fimple, fenfoous and paflionate. I mean not here the profody of a verle, which they could not but have hit on before among the rudiments of grammar; but that fublime art, which in Ariftotlc's Poetics, in Horace, and the Italian commentaries of Caftlevetro,... | |
 | 1871 - 630 pages
...own, to which appeal may be made. ' Not the mere prosody of a verse,' to adopt Milton's language, ' but that sublime art which in Aristotle's poetics, in ' Horace, and the Italian commentaries of Castelvetro, Tasso, ' Mazzoni, and others, teaches what the laws are of a true epic ' poem, what of... | |
 | John Milton, Charles Symmons - Poets, English - 1806 - 446 pages
...fubtile and fine, but more fimple, fenfuous, and paffionate. I mean not here the profody of a verfe, which they could not but have hit on before among the rudiments of grammar; but that fublime art which in Ariftotle's poetics, in Horace, and the Italian commentaries of Caftlevetro, Taffo,... | |
 | John Milton - 1809 - 534 pages
...poetry would be made subsequent, or indeed rather precedent, as be- x" ing less subtile and fine, but more simple, sensuous, and passionate. I mean not...and the Italian commentaries of Castlevetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric,... | |
 | John Black - 1810 - 460 pages
...of those writers on the art of poetry, whom the young are to consult : " I mean not here, (says he) the prosody of a verse, which they could not but have...but that sublime art, which, in Aristotle's poetics, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the CHAP, vin.... | |
 | Great Britain - 1820 - 606 pages
...poetry would be made subsequent, or, indeed, rather precedent, as being lesse subtle and fine, but more simple, sensuous, and passionate. I mean not...Poetics, in Horace, and the Italian Commentaries of Castelvetro, Tasso, Mazsoni, and others, teaches what the laws are of a true Epic poem, what of a dramatic,... | |
 | 1828 - 746 pages
...(viz, logic,) poetry should be made subsequent, or, indeed, rather precedent, as being less subtile and fine, and more simple, sensuous, and passionate....and the Italian Commentaries of Castlevetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric,... | |
| |
I mean not here the prosody of a verse, which they could not but have hit on before among the rudiments of grammar... 
