Lorentzen, Heidelberg und Umgebung (Stuttgart, 1902); Durm, Das Heidelberger Schloss, eine Studie (Berlin, 1884); Koch and Seitz, Das Heidelberger Schloss (Darmstadt, 1887-1891); J. F. Hautz, Geschichte der Universität Heidelberg (1863-1864); A. Thorbecke, Geschichte der Universitat Heidelberg (Stuttgart, 1886); the Urkundenbuch der Universitat Heidelberg, edited by Winkelmann (Heidelberg, 1886); Bäh, Die Entführung der Heidelberger Bibliothek nach Rom (Leipzig, 1845); and G. Weber, Heidelberger Erinnerungen (Stuttgart, 1886).

The

HEIDELBERG, a town and district of the Transvaal. district is bounded S. by the Vaal river and includes the southeastern part of the Witwatersrand gold-fields. The town of Heidelberg is 42 m. S.E. of Johannesburg and 441 m. N.W. of Durban by rail. Pop. (1904), 3220, of whom 1837 were white. It was founded in 1865, is built on the slopes of the Rand at an elevation of 5029 ft., and is reputed the best sanatorium in the colony. It is the centre of the eastern Rand gold

mines.

HEIDELBERG CATECHISM, THE, the most attractive of all the catechisms of the Reformation, was drawn up at the bidding of Frederick III., elector of the Palatinate, and published on Tuesday the 19th of January 1563. The new religion in the Palatinate had been largely under the guidance of Philip Melanchthon, who had revived the old university of Heidelberg and staffed it with sympathetic teachers. One of these, Tillemann, Heshusius, who became general superintendent in 1558, held extreme Lutheran views on the Real Presence, and in his desire to force the community into his own position excommunicated his colleague Klebitz, who held Zwinglian views. When the breach was widening Frederick, "der fromme Kurfürst," came to the succession, dismissed the two chief combatants and referred the trouble to Melanchthon, whose guarded verdict was distinctly Swiss rather than Lutheran. In a decree of August 1560 the elector declared for Calvin and Zwingli, and soon after he resolved to issue a new and unambiguous catechism of the evangelical faith. He entrusted the task to two young men who have won deserved remembrance by their learning and their character alike. Zacharias Ursinus was born at Breslau in July 1534 and attained high honour in the university of Wittenberg. In 1558 he was made rector of the gymnasium in his native town, but the incessant strife with the extreme Lutherans drove him to Zürich, whence Frederick, on the advice of Peter Martyr, summoned him to be professor of theology at Heidelberg and superintendent of the Sapientiae Collegium. He was a man of modest and gentle spirit, not endowed with great preaching gifts, but unwearied in study and consummately able to impart his learning to others. Deposed from his chair by the elector Louis in 1576, he lived with John Casimir at Neustadt and found a congenial sphere in the new seminary there, dying in his 49th year, in March 1583. ·

Caspar Olevianus was born at Treves in 1536. He gave up law for theology, studied under Calvin in Geneva, Peter Martyr in Zurich, and Beza in Lausanne. Urged by William Farel he preached the new faith in his native city, and when banished therefrom found a home with Frederick of Heidelberg, where he gained high renown as preacher and administrator. His ardour and enthusiasm made him the happy complement of Ursinus. When the reaction came under Louis he was befriended by Ludwig von Sain, prince of Wittgenstein, and John, count of Nassau, in whose city of Herborn he did notable work at the high school until his death on the 15th of March 1587. The elector could have chosen no better men, young as they were, for the task in hand. As a first step each drew up a catechism of his own composition, that of Ursinus being naturally of a more grave and academic turn than the freer production of Olevianus, while each made full use of the earlier catechisms already in use. But when the union was effected it was found that the spirits of the two authors were most happily and harmoniously wedded, the exactness and erudition of the one being blended with the fervency and grace of the other. Thus the Heidelberg Catechism, which was completed within a year of its inception, has an individuality that marks it out from all its predecessors and successors. The Heidelberg synod unanimously approved of it, ❘

it was published in January 1563, and in the same year officially turned into Latin by Jos. Lagus and Lambert Pithopoeus.

The ultra-Lutherans attacked the catechism with great bitterness, the assault being led by Heshusius and Flacius Illyricus. Maximilian II. remonstrated against it as an infringement of the peace of Augsburg. A conference was held at Maulbronn in April 1564, and a personal attack was made on the elector at the diet of Augsburg in 1566, but the defence was well sustained, and the Heidelberg book rapidly passed beyond the bounds of the Palatinate (where indeed it suffered eclipse from 1576 to 1583, during the electorate of Louis), and gained an abundant success not only in Germany (Hesse, Anhalt, Brandenburg and Bremen) but also in the Netherlands (1588), and in the Reformed churches of Hungary, Transylvania and Poland. It was officially recognized by the synod of Dort in 1619, passed into France, Britain and America, and probably shares with the De imitatione Christi and The Pilgrim's Progress the honour of coming next to the Bible in the number of tongues into which it has been translated.

This wide acceptance and high esteem are due largely to an avoidance of polemical and controversial subjects, and even more to an absence of the controversial spirit. There is no mistake about its Protestantism, even when we omit the unhappy addition made to answer 80 by Frederick himself (in indignant reply to the ban pronounced by the Council of Trent), in which the Mass is described as "nothing else than a denial of the one sacrifice and passion of Jesus Christ, and an accursed idolatry "— an addition which is the one blot on the mikea of the catechism. The work is the product of the best qualities of head and heart, and its prose is frequently marked by all the beauty of a lyric. It follows the plan of the epistle to the Romans (excepting chapters IX.-XI.) and falls into three parts: Sin, Redemption and the New Life. This arrangement alone would mark it out from the normal reformation catechism, which runs along the stereotyped lines of Decalogue, Creed, Lord's Prayer, Church and Sacraments. These themes are included, but are shown as organically related. The Commandments, e.g. " belong to the first part so far as they are a mirror of our sin and misery, but also to the third part, as being the rule of our new obedience and Christian life." The Creed--a panorama of the sublime facts of redemption-and the sacraments find their place in the second part; the Lord's Prayer (with the Decalogue) in the third.

See The Heidelberg Catechism, the German Text, with a Revised Translation and Introduction, edited by A. Smellie (London, 1900). HEIDELOFF, KARL ALEXANDER VON (1788-1865), German architect, the son of Victor Peter Heideloff, a painter, was born at Stuttgart. He studied at the art academy of his native town, and after following the profession of an architect for some time at Coburg was in 1818 appointed city architect at Nurem berg. In 1822 he became professor at the polytechnic school, holding his post until 1854, and some years later he was chosen conservator of the monuments of art. Heideloff devoted his chief attention to the Gothic style of architecture, and the buildings restored and erected by him at Nuremberg and in its neighbourhood attest both his original skill and his purity of He also achieved some success as a painter in watercolour. He died at Hassfurt on the 28th of September 1865. Among his architectural works should be mentioned the castle of Reinhardsbrunn, the Hall of the Knights in the fortress at Coburg, the castle of Landsberg, the mortuary chapel in Meiningen, the little castle of Rosenburg near Bonn, the chapel of the castle of Rheinstein near Bingen, and the Catholic church in Leipzig. His powers in restoration are shown in the castle of Lichtenstein, the cathedral of Bamberg, and the Knights' Chapel (Ritter Kapelle) at Hassfurt.

taste.

ordnungen (1827); Der Kleine Vignola (1832); Nurnbergs Baudenk Among his writings on architecture are Die Lehre von den Säulenmaler der Vorzeit (1838-1843, complete edition 1854); and Die Ornamentik des Mittelalters (1838-1842).

HEIDENHEIM, a town of Germany, in the kingdom of Württemberg, 31 m. by rail north by east of Ulm. Pop. (1905), 12,175. It has an Evangelical and a Roman Catholic church;

and several schools. Its industrial establishments include | (Diebsturm or Götzens Turm) on the Neckar, in which Götz cotton, woollen, tobacco, machinery and chemical factories, bleach-works, dye-works and breweries, and corn and cattle markets. The town, which received municipal privileges in 1356, is overlooked by the ruins of the castle of Hellenstein, standing on a hill 1985 ft. high. Heidenheim is also the name of a small place in Bavaria famous on account of the Benedictine abbey which formerly stood therein. Founded in 748 by Wilibald, bishop of Eichstätt, this was plundered by the peasantry in 1525 and was closed in 1537.

von Berlichingen was confined in 1519; a fine synagogue; an historical museum and several monuments, among them those to the emperors William I. and Frederick I., to Bismarck, to Schiller and to Robert von Mayer (1814-1878), a native of the town, famous for his discoveries concerning heat. The educa tional establishments include a gymnasium, a commercial school and an agricultural academy. The town in a commercial point of view is the most important in Württemberg, and possesses an immense variety of manufactures, of which the principal are

HEIFER, a young cow that has not calved. The O. Eng. heah-gold, silver, steel and iron wares, machines, sugar of lead, white fore or heafru, from which the word is derived, is of obscure origin. It is found in Bede's History (A.D. 900) as heahfore, and has passed through many forms. It is possibly derived from heah, high, and faren (fare), to go, meaning "high-stepper." It has also been suggested that the derivation is from hea, a stall, and fore, a cow.

of Bamberg in 1132, and continued to exist till 1555. Its sepulchral monuments, many of which are figured by Hocker, Heilsbronnischer Antiquitätenschatz (Ansbach, 1731-1740), are of exceptionally high artistic interest. It was the hereditary burial-place of the Hohenzollern family and ten burgraves of Nuremberg, five margraves and three electors of Brandenburg, and many other persons of note are buried within its walls. The buildings of the monastery have mostly disappeared, with the exception of the fine church, a Romanesque basilica, restored between 1851 and 1866, and possessing paintings by Albert Dürer. The" Monk of Heilsbronn " is the ordinary appellation of a didactic poet of the 14th century, whose Sieben Graden, Tochter Syon and Leben des heiligen Alexius were published by J. F. L. T. Merzdorf at Berlin in 1870.

draughtsman and the occasional merits of his composition were recognized, and toleration extended even to his colour. Heim was awarded the great gold medal, and în 1855—having sent to the Salon no less than sixteen portraits, amongst which may be cited those of "Cuvier," "Geoffroy de St Hilaire," and "Madame Hersent "-he was made officer of the legion of honour. In 1859 he again exhibited a curious collection of portraits, sixty-four members of the Institute arranged in groups of four. He died on the 29th of September 1865. Besides the paintings already mentioned, there is to be seen in Notre Dame de Lorette (Paris) a work executed on the spot; and the museum of Strassburg contains an excellent example of his easel pictures, the subject of which is a Shepherd Drinking from a Spring." HEIMDAL, or HEIMDALL, in Scandinavian mythology, the See Rehm, Ein Gang durch und um die Münster-Kirche zu Kloster-keeper of the gates of Heaven and the guardian of the rainbow Heilsbronn (Ansbach, 1875); Stillfried, Kloster-Heilsbronn, ein Beitrag zu den Hohenzollernschen Forschungen (Berlin, 1877); Muck, Geschichte von Kloster-Heilsbronn (Nördlingen, 1879-1880): J. Meyer, Die Hohenzollerndenkmale in Heilsbronn (Ansbach, 1891); and A. Wagner, Über den Mönch von Heilsbronn (Strassburg, 1876).

HEIM, ALBERT VON ST GALLEN (1849- ), Swiss geologist, was born at Zürich on the 12th of April 1849. He was educated at Zürich and Berlin universities. Very early in life he became interested in the physical features of the Alps, and at the age of sixteen he made a model of the Tödi group. This came under the notice of Arnold Escher von der Linth, to whom Heim was indebted for much encouragement and geological instruction in the field. In 1873 he became professor of geology in the polytechnic school at Zürich, and in 1875 professor of geology in the university. In 1882 he was appointed director of the Geological Survey of Switzerland, and in 1884 the hon. degree of Ph. D. was conferred upon him at Berne. He is especially distinguished for his researches on the structure of the Alps and for the light thereby thrown on the structure of mountain masses in general. He traced the plications from minor to major stages, and illustrated the remarkable foldings and overthrust faultings in numerous sections and with the aid of pictorial drawings. His magnificent work, Mechanismus der Gebirgsbudung (1878), is now regarded as a classic, and it served to inspire Professor C. Lapworth in his brilliant researches on the Scottish Highlands (see Geol. Mag. 1883). Heim also devoted considerable attention to the glacial phenomena of the Alpine regions. The Wollaston medal was awarded to him in 1904 by the Geological Society of London.

HEIM, FRANÇOIS JOSEPH (1787-1865), French painter, was born at Belfort on the 16th of December 1787. He early distinguished himself at the Ecole Centrale of Strassburg, and in 1803 entered the studio of Vincent at Paris. In 1807 he obtained the first prize, and in 1812 his picture of "The Return of Jacob" (Musée de Bordeaux) won for him a gold medal of the first class, which he again obtained in 1817, when he exhibited, together with other works, a St John-bought by Vivant Denon. In 1819 the "Resurrection of Lazarus (Cathédral Autun), the "Martyrdom of St Cyr" (St Gervais), and two scenes from the life of Vespasian (ordered by the king) attracted attention. In 1823 the "Re-erection of the Royal Tombs at St Denis," the "Martyrdom of St Laurence" (Notre Dame) and several full-length portraits increased the painter's popularity; and in 1824, when he exhibited his great canvas, the "Massacre of the Jews" (Louvre), Heim was rewarded with the legion of honour. In 1827 appeared the "King giving away Prizes at the Salon of 1824" (Louvre-engraved by Jazet) the picture by which Heim is best known-and "Saint Hyacinthe." Heim was now commissioned to decorate the Gallery Charles X. (Louvre). Though ridiculed by the romantists, Heim succeeded Regnault at the Institute in 1834, shortly after which he commenced a series of drawings of the celebrities of his day, which are of much interest. His decorations of the Conference room of the Chamber of Deputies were completed in 1844; and in 1847 his works at the Salon-"Champ de Mai and "Reading a Play at the Théâtre Français "—were the signal for violent criticisms. Yet something like a turn of opinion in bis favour took place at the exhibition of 1851; his powers as a

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bridge Bifrost. He is the son of Odin by nine virgins, all sisters. He is called "the god with the golden teeth.' He lives in the stronghold of Himinsbiorg at the end of Bifrost. His chief attribute is a vigilance which nothing can escape. He sleeps less than a bird; sees at night and even in his sleep; can hear the grass, and even the wool on a lamb's back grow. He is armed with Gjallar, the magic horn, with which he will summon the gods on the day of judgment.

HEINE, HEINRICH, (1797-1856), German poet and journalist, was born at Düsseldorf, of Jewish parents, on the 13th of December 1797. His father, after various vicissitudes in business, had finally settled in Düsseldorf, and his mother, who possessed much energy of character, was the daughter of a physician of the same place. Heinrich (or, more exactly, Harry) was the eldest of four children, and received his education, first in private schools, then in the Lyceum of his native town; although not an especially apt or diligent pupil, he acquired a knowledge of French and English, as well as some tincture of the classics and Hebrew. His early years coincided with the most brilliant period of Napoleon's career, and the boundless veneration which he is never tired of expressing for the emperor throughout his writings shows that his true schoolmasters were rather the drummers and troopers of a victorious army than the masters of the Lyceum. By freeing the Jews from many of the political disabilities under which they had hitherto suffered, Napoleon became, it may be noted, the object of particular enthusiasm in the circles amidst which Heine grew up. When he left school in 1815, an attempt was made to engage him in business in Frankfort, but without success. In the following year his uncle, Solomon Heine, a wealthy banker in Hamburg, took him into his office. A passion for his cousin Amalie Heine seems to have made the young man more contented with his lot in Hamburg, and his success was such that his uncle decided to set him up in business for himself. This, however, proved too bold a step; in a very few months the firm of "Harry Heine & Co." was insolvent. His uncle now generously provided him with money to enable him to study at a university, with the view to entering the legal profession, and in the spring of 1819 Heine became a student of the university of Bonn. During his stay there he devoted himself rather to the study of literature and history than to that of law; amongst his teachers A. W. von Schlegel, who took a kindly interest in Heine's poetic essays, exerted the most lasting influence on him. In the autumn of 1820 Heine left Bonn for Göttingen, where he proposed to devote himself more assiduously to professional studies, but in February of the following year he challenged to a pistol duel a fellow-student who had insulted him, and was, in consequence, rusticated for six months. The pedantic atmosphere of the university of Göttingen was, however, little to his taste; the news of his cousin's marriage unsettled him still more; and he was glad of the opportunity to seek distraction in Berlin.

In the Prussian capital a new world opened up to him; a very different life from that of Göttingen was stirring in the new university there, and Heine, like all his contemporaries, sat at the feet of Hegel and imbibed from him, doubtless, those views which in later years made the poet the apostle of an outlook upon life more modern than that of his romantic predecessors.

"

"the

intellect as clear and vivacious as ever-seem to have effected | lyric may not be able to assert itself beside that of the very what might be called a spiritual purification in Heine's nature, greatest German singers, but as a satirist he had powers of the and to have brought out all the good sides of his character, highest order. He combined the holy zeal and passionate whereas adversity in earlier years only intensified his cynicism. earnestness of the "soldier of humanity with the withering The lyrics of the Romanzero (1851) and the collection of Neueste scorn and ineradicable sense of justice common to the leaders Gedichte (1853-1854) surpass in imaginative depth and sincerity of the Jewish race. It was Heine's real mission to be a reformer, of purpose the poetry of the Buch der Lieder. Most wonderful to restore with instruments of war rather than of peace of all are the poems inspired by Heine's strange mystic passion interrupted order of the world." The more's the pity that his for the lady he called Die Mouche, a countrywoman of his own-magnificent Aristophanic genius should have had so little her real name was Elise von Krienitz, but she had written in room for its exercise, and have been frittered away in the petty French under the nom de plume of Camille Selden-who helped squabbles of an exiled journalist. to brighten the last months of the poet's life. He died on the 17th of February 1856, and lies buried in the cemetery of Montmartre.

Besides the purely journalistic work of Heine's Paris years, to which reference has already been made, he published a collection of more serious prose writings under the title Der Salon (1833-1839). In this collection will be found, besides papers on French art and the French stage, the essays "Zur Geschichte der Religion und Philosophie in Deutschland," which he had written for the Revue des deux mondes. Here, too, are the more characteristic productions of Heine's genius, Aus den Memoiren des Herrn von Schnabelewopski, Der Rabbi von Bacherach and Florentinische Nächte. Die romantische Schule (1836), with its unpardonable personal attack on the elder Schlegel, is a less creditable essay in literary criticism. In 1839 appeared Shakespeares Mädchen und Frauen, which, however, was merely the text to a series of illustrations; and in 1840, the witty and trenchant satire on a writer, who, in spite of many personal disagreements, had been Heine's fellow-fighter in the liberal.P. Betz, Heine in Frankreich (1895). (J. W. F.; J. G. R.) cause, Ludwig Börne. Of Heine's poetical work in these years, his most important publications were, besides the Romanzero, the two admirable satires, Deutschland, ein. Wintermärchen (1844), the result of his visit to Germany, and Atta Troll, ein Sommernachtstraum (1876), an attack on the political Tendenzliteratur of the 'forties.

The first collected edition of Heine's works was edited by A. Strodtmann in 21 vols. (1861-1866), the best critical edition is the Sämtliche Werke, edited by E. Elster (7 vols., 1887-1890). Heine has been more translated into other tongues than any other German writer of his time. Mention may here be made of the French translation of his Euvres complètes (14 vols., 1852-1868), and the English translation (by C. G. Leland and others) recently completed, The Works of Heinrich Heine (13 vols., 1892-1905). For biography and criticism see the following works: A. Strodtmann, Heines Leben und Werke (3rd ed., 1884); H. Hueffer, Aus dem Leben H. Heines (1878); and by the same author, H. Heine: Gesammelte Aufsätze (1906); G. Karpeles, H. Heine und seine Zeitgenossen (1888), and by the same author, H. Heine: aus seinem Leben und aus seiner Zeit (1900); W. Bolsche, H. Heine: Versuch einer ästhetischkritischen Analyse seiner Werke und seiner Weltanschauung (1888); G. Brandes, Det unge Tyskland (1890; Eng. trans., 1905). An English biography by W. Stigand, Life, Works and Opinions of also a short life by W. Sharp (1888). The essays on Heine by Heinrich Heine, appeared in 1875, but it has little value; there is George Eliot and Matthew Arnold are well known. The best French contributions to Heine criticism are J. Legras, H. Heine, poète (1897), and H. Lichtenberger, H. Heine, penseur (1905). See also

In the case of no other of the greater German poets is it so hard to arrive at a final judgment as in that of Heinrich Heine. In his Buch der Lieder he unquestionably struck a new lyric note, not merely for Germany but for Europe. No singer before him had been so daring in the use of nature-symbolism as he, none had given such concrete and plastic expression to the spiritual forces of heart and soul; in this respect Heine was clearly the descendant of the Hebrew poets of the Old Testament. At times, it is true, his imagery is exaggerated to the degree of absurdity, but it exercised, none the less, a fascination over his generation. Heine combined with a spiritual delicacy, a fineness of perception, that firm hold on reality which is so essential to the satirist. His lyric appealed with particular force to foreign peoples, who had little understanding for the intangible, undefinable spirituality which the German people regard as an indispensable element in their national lyric poetry. Thus his fame has always stood higher in England and France than in Germany itself, where his lyric method, his self-consciousness, his cynicism in season and out of season, were little in harmony with the literary traditions. As far, indeed, as the development of the German lyric is concerned, Heine's influence, has been of questionable value. But he introduced at least one new and refreshing element into German poetry with his lyrics of the North Sea; no other German poet has felt and expressed so well as Heine the charm of sea and coast.

As a prose writer, Heine's merits were very great. His work was, in the main, journalism, but it was journalism of a high order, and, after all, the best literature of the "Young German" school to which he belonged was of this character. Heine's light fancy, his agile intellect, his straightforward, clear style stood him here in excellent stead. The prose writings of his French period mark, together with Börne's Briefe aus Paris, the beginning of a new era in German journalism and a healthy revolt against the unwieldly prose of the Romantic period. Above all things, Heine was great as a wit and a satirist. His

HEINECCIUS, JOHANN GOTTLIEB (1681-1741), German jurist, was born on the 11th of September 1681 at Eisenberg, Altenburg. He studied theology at Leipzig, and law at Halle; and at the latter university he was appointed in 1713 professor of philosophy, and in 1718 professor of jurisprudence. He subsequently filled legal chairs at Franeker in Holland and at Frankfort, but finally returned to Halle in 1733 as professor of philosophy and jurisprudence. He died there on the 31st of August 1741. Heineccius belonged to the school of philosophical jurists. He endeavoured to treat law as a rational science, and not merely as an empirical art whose rules had no deeper source than expediency. Thus he continually refers to first principles, and he develops his legal doctrines as a system of philosophy.

His chief works were Antiquitatum Romanarum jurisprudentiam illustrantium syntagma (1718), Historia juris civilis Romani ac naturae et gentium (1737; Eng. trans. by Turnbull, 2 vols., London, Germanici (1733), Elementa juris Germanici (1735), Elementa juris 1763). Besides these works he wrote on purely philosophical subjects, and edited the works of several of the classical jurists. His Opera omnia (9 vols., Geneva, 1771, &c.) were edited by his son Johann Christian Gottlieb Heineccius (1718-1791).

Heineccius's brother, JOHANN MICHAEL HEINECCIUS (16741722), was a well-known preacher and theologian, but is remembered more from the fact that he was the first to make a systematic study of seals, concerning which he left a book, De veteribus. Germanorum aliarumque nationum sigillis (Leipzig, 1710; 2nd ed., 1719).

HEINECKEN, CHRISTIAN HEINRICH (1721-1725), a child remarkable for precocity of intellect, was born on the 6th of February 1721 at Lübeck, where his father was a painter. Able to speak at the age of ten months, by the time he was one year old he knew by heart the principal incidents in the Pentateuch. At two years of age he had mastered sacred history; at three he was intimately acquainted with history and geography, ancient and modern, sacred and profane, besides being able to speak French and Latin; and in his fourth year he devoted himself to the study of religion and church history. This wonderful precocity was no mere feat of memory, for the youthful savant could reason on and discuss the knowledge he had acquired. Crowds of people flocked to Lübeck to sec the wonderful child; and in 1724 he was taken to Copenhagen at the desire of the king of Denmark. On his return to Lübeck