Janespotting and Beyond: British Heritage Retrovisions Since the Mid-1990s |
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Contents
Introduction | 9 |
The Miseenscène of Austen Powers | 25 |
Pamela Church Gibson | 51 |
Raimund Borgmeier | 65 |
Roberta E Pearson | 87 |
Sarah Street | 101 |
Art in British Heritage Films | 125 |
Stefani BrusbergKiermeier | 149 |
Carola Surkamp | 167 |
Monika Seidl | 183 |
199 | |
Other editions - View all
Janespotting and Beyond: British Heritage Retrovisions Since the Mid-1990s Eckart Voigts-Virchow No preview available - 2004 |
Common terms and phrases
adaptations aesthetics American Andrew appear approach argue audience Austen films authenticity become British called camera century characters cinema classic companies construct contemporary context costume drama course critics cultural discussion display Elizabeth Emma England English example fact Fanny female garden genre Hamlet heritage films Higson historical Hollywood Ideal identity important industry interest interpretation Jane Austen John landscape language literary London look Mansfield Park means Monk movie moving narrative nature novel Oxford particular past period play popular position present Pride and Prejudice production programmes question reading recent references represent representation says scene screen seems seen Sense and Sensibility sexual Shakespeare Shakespeare in Love shots social space specific story strategy studies success suggest takes television tion traditional trend turn University Press visual Wilde York