Marxism and Film Activism: Screening Alternative Worlds

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Ewa Mazierska, Lars Kristensen
Berghahn Books, Jul 1, 2015 - Performing Arts - 290 pages

In Theses on Feuerbach, Marx writes, “The philosophers have only interpreted the world differently; the point is to change it.” This collection examines how filmmakers have tried to change the world by engaging in emancipatory politics through their work, and how audiences have received them. It presents a wide spectrum of case studies, covering both film and digital technology, with examples from throughout cinematic history and around the world, including Soviet Russia, Palestine, South America, and France. Discussions range from the classic Marxist cinema of Aleksandr Medvedkin, Chris Marker, and Jean-Luc Godard, to recent media such as 5 Broken Cameras (2010), the phenomena of video-blogging, and bicycle activism films.

 

Contents

Introduction
1
Part I Past Activism
27
The Revolutionary Politics of Aesthetics of Medvedkins CinemaTrain
29
Chapter 2 Politics and Aesthetics within Godards Cinema
58
Reflections on the Radical 60s in the Later Films of Chris Marker
81
Workers and Peasants in the Cinema of JeanMarie Straub and Danièle Huillet
105
The Global Fires of The Hour of the Furnaces
124
Part II Present Activism
144
The Case of Palestinian Cinema
166
Chapter 8 The Contemporary Landscape of VideoActivism in Britain
186
Screening the Critical Mass Movement
213
On the Immaterial Labour of the Video Blogger
234
Marxism and Film Audiences
253
Contributors
272
Index
276
Copyright

The Impossibility of Passivity
145

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About the author (2015)

Ewa Mazierska is Professor of Film Studies at the University of Central Lancashire. She has authored nearly twenty monographs and edited collections, including Work in Cinema: Labor and Human Condition (Palgrave Macmillan, 2013), European Cinema and Intertextuality: History, Memory, Politics (Palgrave Macmillan, 2011), and Jerzy Skolimowski: The Cinema of a Nonconformist (Berghahn, 2010). She is a principal editor of the journal Studies in Eastern European Cinema.

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