 | Francis Blackburne - 1780 - 444 pages
...futtle and fine, but more fimple, fenfuous, and paffionate. I me art not here the profody of a verfe, which they could not but have hit on before among the rudiments of grammar; but that fublime art which \iaAriJlotlcs poetics, in Horace, and the Italian commentaries of Cajtelvetro, Tajo,.... | |
 | Francis Blackburne - Education - 1780 - 408 pages
...futtle and fine, but more fimple, fenfuous, and paffionate. I mean not here the profody of a verfe, which they could not but have hit on before among the rudiments of grammar; bur that fublime art which in Arijlotles poetics, in Horace, and the Italian commentaries of Caftefaetro,... | |
 | Peter Williams - 1785 - 374 pages
...(if again. I may ufe the nerypus expreffion of the fame Great Man*) the profpdy of a verfe, which one could not but have hit on before among the rudiments of Grammar; but that Sublime^ Art which, in Arijlotles POETICS, teaches what the Laws are of a • true Epic foem, ..what of a Dramatic, what of... | |
 | English poets - 1790 - 342 pages
...fubtile and fine, but more fimple, fenfoous and paflionate. I mean not here the profody of a verle, which they could not but have hit on before among the rudiments of grammar; but that fublime art, which in Ariftotlc's Poetics, in Horace, and the Italian commentaries of Caftlevetro,... | |
 | 1871 - 630 pages
...own, to which appeal may be made. ' Not the mere prosody of a verse,' to adopt Milton's language, ' but that sublime art which in Aristotle's poetics, in ' Horace, and the Italian commentaries of Castelvetro, Tasso, ' Mazzoni, and others, teaches what the laws are of a true epic ' poem, what of... | |
 | John Milton, Charles Symmons - Poets, English - 1806 - 446 pages
...fubtile and fine, but more fimple, fenfuous, and paffionate. I mean not here the profody of a verfe, which they could not but have hit on before among the rudiments of grammar; but that fublime art which in Ariftotle's poetics, in Horace, and the Italian commentaries of Caftlevetro, Taffo,... | |
 | John Black - 1810 - 460 pages
...of those writers on the art of poetry, whom the young are to consult : " I mean not here, (says he) the prosody of a verse, which they could not but have...but that sublime art, which, in Aristotle's poetics, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the CHAP, vin.... | |
 | Great Britain - 1820 - 606 pages
...poetry would be made subsequent, or, indeed, rather precedent, as being lesse subtle and fine, but more simple, sensuous, and passionate. I mean not...Poetics, in Horace, and the Italian Commentaries of Castelvetro, Tasso, Mazsoni, and others, teaches what the laws are of a true Epic poem, what of a dramatic,... | |
 | Precept - Great Britain - 1825 - 302 pages
...to which Poetry would be made subsequent, or indeed rather precedent, as less subtle and fine, but more simple, sensuous, and passionate. I mean not...Poetics, in Horace, and the Italian commentaries of Castelvettro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a... | |
 | John Milton - 1826 - 368 pages
...which, poetry would be made subsequent, or indeed rather precedent, as being less subtile and fine, but more simple, sensuous, and passionate. I mean not...Poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic,... | |
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I mean not here the prosody of a verse, which they could not but have hit on before among the rudiments of grammar... 
