...passing tlirough the nostrils (forming in, n, or ng), and through the wide apertures of L, and also of R when not initial in a syllable, that the sound has...their natural quantity as vocal sounds ; as in lamp, ternse, tent, ne.ii.sf, tenth, ink (= inyk), &e. ; milt, s/nlt, help, self, else, Wel-eh, healtít,...

...passing through the nostrils (forming m, n, or ng), and through the wide apertures of L, and also of R when not initial in a syllable, that the sound has...in lamp, temse, tent, sense, tenth, ink (= ingk), &c. ; milk, spilt, help, self, else, Welsh, health, &c. ; hark, heart, harp, serf, earth, harsh, horse,...

...passing through the nostrils (forming m, n, or ng\ and through the wide apertures of L, and also »f R when not initial in a syllable, that the sound has almost the pure sonorousness of a vowel ; ami these elements have received the name of Liquids, to designate their property of syllabically...

...passing through the nostrils (forming m, », or ng), and through the wide apertures of L, and also of R when not initial in a syllable, that the sound has...quantity as vocal sounds ; as in lamp, temse, tent, кете, tenth, ink ( = inijk), &c. ; mill; sput, help, eelf, else, Wehh, htalÜL, &c. ; hark, heart,...

...passing B through the nostrils in forming m, n, or ng, and through the wide apertures of /, and also of r when not initial in a syllable, that the sound has...absorbed by them, and losing much of their natural quality as vocal sounds. 17. Function of Consonants, and their mutual Affinities. — Consonants form,...

...passing through the nostrils in forming m, n, or ng, and through the wide apertures of /, and also of r when not initial in a syllable, that the sound has...absorbed by them, and losing much of their natural quality as vocal sounds. Consonants form, as it were, the bare and bony skeleton of speech ; vowels...

...passing through the nostrils (forming rn, n, or ng), and through the wide apertures of L, and also of R when not initial in a syllable, that the sound has...combining with voiceless consonants — seeming to flnw into and to be absorbed by them, and losing much of their natural quantity as vocal sounds ; as...

...passing B through the nostrils in forming m, n, or ng, and through the wide apertures of /, and also of r when not initial in a syllable, that the sound has...property of syllabically combining with voiceless consonants—seeming to flow into and to be absorbed by them, and losing much of their natural quality...