Communicating: The Multiple Modes of Human InterconnectionIn Communicating, the anthropologist Ruth Finnegan considers the many and varied modes through which we humans communicate and the multisensory resources we draw on. The book uncovers the amazing array of sounds, sights, smells, gestures, looks, movements, touches and material objects which humans use so creatively to interconnect both nearby and across space and time - resources consistently underestimated in those western ideologies that prioritise 'rationality' and referential language. |
Contents
2 | 33 |
3 | 59 |
vision and the communicating body | 92 |
human arts and artefacts | 137 |
Sensing the odour | 176 |
Communicating touch | 194 |
A mix of arts | 223 |
Through space and time | 244 |
What now? | 255 |
Notes | 264 |
| 272 | |
| 302 | |
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Common terms and phrases
acoustic active André Billy animal communication artefacts arts audition auditory Bayeux tapestry Benesh movement notation Bill Rolston bodily body channel Chapter colour complex context conventions convey create creative cultures dance developed dimensions display distance Doom painting emotive example experience exploited extended facial expressions Figure fingers forms formulated gestures graphic hand human communicating human interaction human interconnection human voice human-made images individuals Islamic calligraphy Kaluli kinesic kiss less linguistic mark material Maya calendar means messages modalities modes movements multiple munication mutual non-verbal objects odour olfaction olfactory organised participants particular performance perhaps perspective physical pictorial play practice processes proxemic Ramayana recognised relatively religious representations ritual role Roy Harris scents sense shared sight sign languages signals smell social sometimes sonic sound space spatial specific speech standardised Suyá symbols tactile communication tion touch traditions utilise varying verbal visible vision visual communication vocal Walbiri words writing